Magnifica Humanitas – Disarming Artificial Intelligence

Magnifica Humanitas – Disarming Artificial Intelligence

A couple of days before Magnifica Humanitas was published by Pope Leo XIV, the Australian musician and comedian Tim Minchin was interviewed on the radio about artificial intelligence (AI) at the Hay Festival. He spoke with great clarity about how the problem with AI is the lack of any proper idea of intention, and he called for people to be ‘belligerent’ in their reactions to it. At the press conference which launched the encyclical, the Holy Father stressed his call in the text to ‘disarm AI’; while much of what Minchin said chimes with the pope’s insights, the different use of military language is striking.

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AI at the Service of Humanity and the Church

ai

Introduction

This article does not address the risks or dangers of artificial intelligence – that subject is covered in multiple places. Nor will it go into the questions that fascinate me as a philosopher: the nature of intelligence, consciousness, self‑awareness, etc. Instead, it will address an important practical topic. I will reflect on how AI can serve humanity and the Church.

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Professor Richard Turnbull – a short tribute

Rev. Dr. Richard Turnbull

Richard was the founding director of the Centre for Enterprise, Markets and Ethics. He was a visiting professor in the Business School at St. Mary’s University. He made a number of contributions to the life of St. Mary’s, including organising high profile events involving academics, business leaders and policy thinkers. He also guest lectured on the MA in Catholic Social Teaching.

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The family – the basic building block of society (part two)

demographic decline

In the first part I wrote about the situation of families that do have children. However, have you thought recently about how old the population looks when you go out onto the street? This is not just because people are living longer. Where are the prams, pushchairs and babies? Pope Francis has talked about how we are moving towards a “demographic winter”.

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Politics as life-long engagement

protest

I remember the scene clearly: it was just after midnight and the house lights were switched on in the auditorium of the Teatro Argentina in Rome. Moving from stage lighting to the lighting of the whole house was meant to affirm the role of the audience in the dawning of a democratic process in Eumenides, the third play in Aeschylus’ The Oresteia cycle, as a vote is cast on Orestes’ charge. Is he guilty or innocent? Athena, then, declares the theatre to be a court crowded with people. Sadly, while the lights revealed the glories of the theatre’s internal box features, it also revealed how the seats had emptied during the performance. As the show ran so late, many of the spectators had to leave early to catch public transport.

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