Author: Ryan Service

I remember the scene clearly: it was just after midnight and the house lights were switched on in the auditorium of the Teatro Argentina in Rome. Moving from stage lighting to the lighting of the whole house was meant to affirm the role of the audience in the dawning of a democratic process in Eumenides, the third play in Aeschylus’ The Oresteia cycle, as a vote is cast on Orestes’ charge. Is he guilty or innocent? Athena, then, declares the theatre to be a court crowded with people. Sadly, while the lights revealed the glories of the theatre’s internal box features, it also revealed how the seats had emptied during the performance. As the show ran so late, many of the spectators had to leave early to catch public transport.